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Mid-Book Crisis

7/28/2019

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By James L Hill (aka J. L. Hill)

                I didn’t think I’d live this long, so I had my mid-life crisis early – in my mid-teens. I questioned the choices I made, the people I called friends, even the reason for my existence. I had a full blown meltdown at the age of sixteen. If I had known I would survive my twenties, thirties, and forties, I might have waited until now for a bout of WTF.
                Here is something you may have figured out about me, I am a planner. Not a real good one, I often go off script, but I do consider my options before going through with whatever stupid idea that pops into my head. And regardless if the plan works out for the better, or the worst, I have no regrets.
                Writers have mid-book crisis. If you are a writing a book, you will undoubtedly come to a point when you ask yourself, “What The Fuck was I thinking?”
                Maybe some character has hijacked your story and taken your hero out of it. If you are a non-fiction person, maybe some minor fact had sidetracked you so far from your theme; it seems you are writing about a completely different subject. It happens. These are easy to fix, a couple of deletes, smack a few of your people around, and you are back on track.
                What is really terrifying is finding yourself in the middle of the book fifty, sixty, seventy thousand words deep and not knowing why. You are looking at your book and it is just getting bigger and bigger. Your story is growing exponentially. The more you write, the more it grows, the further away the end seems.  The full blown meltdown has begun. You question why you started this project. You question your characters ability to get their shit together. You even question if you are really a writer.
                Ok, take a deep breath, or a stiff drink if that helps, it does for me. You’re OK. You are just looking at this thing the wrong way. Instead of looking at this thing as writing a book, think of it as finishing the chapter. You finish one chapter, celebrate, and then start the next one.
                Make sure your people do what they are supposed to do in their chapter and move on. Let each chapter tell its part of the story fully and satisfactorily. Writing your book one chapter at a time removes the chance for regret. The chapter is over and you can move on with a clear mind. You’ll get the same sense of accomplishment whether you just finished chapter one or twenty-one. And when you are all done with your chapters you will have a completed book.

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ALF – The Good, the Bad, and the Ugly

7/21/2019

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By James L Hill (aka J. L. Hill)
​
                 Alf was a comedy about a cat chasing ant-eater like alien. His name was an acronym for Alien Life Form. Scientists are seriously searching for extraterrestrial life. For various reasons, we want to prove life exist elsewhere in the universe.
                Some scientists will be glad to discover any form of life from the microbiological slime to Mr. Spock. Other scientists, such as those working for the SETI project, will only be satisfied contacting a Vulcan, Romulan, or to a lesser degree - a Klingon. For those of us writing sci-fi, the form our aliens take depends on what we want our aliens to do, or what we plan to do to them.
                If our alien is the chasing, killing, world destroying type, any kind from the Blob to the multi-mandible acid blooded Alien would do. When the aliens are villains, the less humanoid they are, the better. For villains we want monsters, aliens or otherwise, we want hideous vile creatures. Dehumanizing something makes it easier to accept killing it, whether they are on our planet or we have invaded theirs (in the name of exploration, of course).
                When we want our aliens to be the protagonist, if they don’t look human, we imbue them with the best human qualities. ET had compassion. We also like to make our alien protagonist less threatening; ET was kid size. And we make them smart – too intelligent to want to do us harm. Realistically speaking, the more advance society will assimilate the lesser and their way of life will cease to exist. At least, that had been the case here on Earth.
                Sometimes our aliens are neither antagonist nor protagonist; they are a force of nature sent to teach humanity a lesson. In Night of the Comet, the Earth passes through the tail of a comet, an event that hasn’t happened in 65 million years. Sounds like trouble to me. But everyone is out to watch it happen. And everyone who is not inside a steel container is turned to red dust. And all those who have recently died and are not yet buried are turned to zombies. Then comes, the now the common, running from zombies and brain munching until rain washes everything away. Mother Nature has reset the clock and we began again, those that are left.
                Yes ALF comes in many shapes and sizes. Sometimes they come for good, to show us the follies of our ways and help us take the next step on the evolutionary ladder. They come for our women, our water, our world; bent on destroying and devouring our life. And they come without rhythm or reason. It just the roll of the dice, call it the Hand of God, or a random act of fate, that we must rise to the challenge or be swept away like the dinosaurs. One day we will discover alien life forms, it may be life altering, or it may be some microbial organism that proves life itself is nothing special. Until then we will keep making up our own ALFs to suit whatever situation we desire.

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Characters and Characterizations

7/14/2019

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By James L Hill (aka J. L. Hill)

                 People ask is writing Sci-Fi harder than other genres. I have to say, “Yes,” sorry historians and romantics. In a romance you have few characters and you know what they are going to do, fall in love. In historical fictions the scene is set for you, your characters have a preset framework to act out your story. I’m not saying you don’t have your work cut out for you; you still have to write an interesting story with believable characters.
                However science fiction has no preset framework, your story can literally be about anything. Your characters can be tasked with a wide array of situations to overcome. Couple with the fact that your characters don’t have to be humans, or even living organisms, and you can see the complexity of sci-fi stories. And, of course, it still has to be interesting with believable characters, whatever they may be.
                Sometimes you have to characterize machines. Robots tend to be giving human characteristics. I make my robots non-human in function and design. The human body is great for us, but for many functions it is not the optimal design. For traveling two legs are good, four legs are better, and wheels are the best. Depending on the territory to traverse, more wheels will be better than fewer. So the characteristics of a robot meant to travel across different terrain would be more like a centipede then a humanoid.
                Some science fiction writers go to great lengths to characterize the simple. I do not appreciate reading a thousand words to tell me that yrneh jumped on an esroh and disappeared into the sunset. Just say, “Henry jumped on his horse and rode away.” On whatever planet Henry may live, a horse will still be a horse, or horse-like. If you are writing about something as simple as a horse then say so and move on with the story.
                Writers also love to amaze their readers with complex societies. But actually societies, no matter what they are made of, are basically the same. Whether they are a colony of ants, hive of bees, pack of wolves, pride of lions, or tribe of humans, they have the same social structure.
                Recently I was doing yard work and stepped on a hornets nest. I didn’t know hornets built underground nests. Some of the hornets started attacking me, others swarmed the entrance protecting it, while still a few more circled high overhead as lookouts. You find this defense technique spread across many species where there is a division of duties. We don’t need pages of descriptions of the society that make up life on some distant planet unless it goes against the norm.
                Lastly, don’t waste time describing a character that is never going to be mentioned again. One or two words descriptors will suffice quite well for minor characters. An ebony queen, a herculean warrior, or that wretched derelict paints a perfect picture that a five minute diatribe will never do any better.
                Science fiction may be complex, but writing sci-fi doesn’t have to be. Don’t make your story more complicated by long winded descriptions of the obvious. Short simple scenes we are all familiar with will move the story along nicely. You can use the extra verbiage to convey characters that truly only exist in your mind.
You can also find me on the world wide web (a long drawn out description) at these locations:
facebook: https://www.facebook.com/jlhill57
Twitter: https://twitter.com/jamshi57
Website: https://www.jlhill-books.com
YouTube:
https://www.youtube.com/channel/UCnXvHY-BxKHzT4moEVAVYwg
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    Authors

    James L Hill (J L Hill) author and publisher of Adult Fiction - not for those under 18 or the faint of heart, Fantasy, and Science Fiction.
    Athina Paris author of romance and contemporary fiction, editor of all form of literature.

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