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World Building – Part I

4/28/2019

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By James L. Hill (aka J L Hill)

                World building is one of the major aspects of science fiction. Reviewers rate science fiction on how well the writer creates their worlds. So how do you create a world?
                If you are God, you create it in seven days. If you are not God, take a hint from Genesis, create light and darkness; create land and sea; create animal and bird; create man. As writers it is our job to play God and create worlds for our readers. Our readers expect us to take the same detailed approach as in Genesis and leave nothing out. So how do you create a world?
                I will cover this topic in two parts because it is that important to get it right, and it is too complicated to cover in a couple of quick sentences. World building means creating environments that life can thrive in as well as the life forms that inhabit it. In part one we will take a look at creating environments. The next part will cover creating life forms. Notice that I used the plural forms of environment and life form, not an accident; you need to create a multi-faceted world. Take a look around our world is light and dark, wet and dry, and full of life.
                Building your world will depend upon the story you are trying to tell. If you are telling a story about a desert society it shouldn’t be devoid of clouds or the occasional rain. I was in Egypt recently where it was mostly clear blue skies and blazing hot. But I was extremely grateful for the occasional passing cloud. Another important fact is that not all deserts are hot; the Gobi Desert annual mean temperature is 27.5 degrees Fahrenheit. Deserts are caused by lack of water not necessarily by heat; the Gobi is a desert mainly because the Himalayan Mountains block the rain off the Indian Ocean from reaching it.
                Let’s take a step back and look at the big picture, the planetary view. The expression - size matters - really matters when you are creating your world. The bigger they are the more gravity they have, the more massive everything on your world will need to be. Big planets have big heavy atmospheres, enormous pressure, and faster revolution and tend to be mostly gas. Smaller planets have a tendency to be composed of denser materials (rock and metal) move slower and have less gravitational pull. That is the norm. I call it the “bowling ball effect”. When you go bowling and use a heavy ball, sixteen or eighteen pounds, you have to throw it really hard to keep it going straight all the way down the lane. Slow moving balls will verve off into the gutter. A lighter ball will make it all the way to the pins with less effort. So the larger the planet the faster it must go to avoid being pulled into its star.
Also true planets are spherical, because after an object reaches a certain mass gravity crushes into a ball. I don’t think scientist have discovered any Jupiter size rocky planets yet. My theory is a rocky planet of that magnitude would be unstable and tear itself apart. (Again, my opinion, if someone knows differently I welcome information.) Think of a disc thrower, he spins around and around building up momentum until the disc is nearly pulled from his body. A large rocky body will build up momentum as it rotates and revolves, over time those forces will cause the world to fracture and break up as the lighter elements move faster and its denser counterparts drag behind.
                My point is - build a world so that it will stand up to the physical forces it will face. Build it on multiple levels; if the world is in a synchronous orbit around its star, one side will always face the sun and will always be hot. And the other side will be in total darkness and freezing cold. And if it has an atmosphere expects hurricane winds to ravage the surface constantly. Plan and write accordingly.
                Part II – Who shall inherit the Earth?

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Making sense out of science fiction

4/21/2019

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By James L. Hill
​
Sights, sounds, smells, taste, and touch are what connect us to the world. Our senses are the pathways to our mind’s reality, but it not by our senses alone that we determine what is believable and what is not. We filter those sensory inputs with what we have learned about the world around us. For example, we know light travel faster than sound, so when we see lightning we expect to hear the thunder soon afterward. This fact we learned in school and even before then through observation.
Why is this important? Because some science fiction writers forget the basic facts when constructing their stories, they mix up the speed of sound with the speed of light. Our minds rejects what we know cannot be true, subconsciously we start poking holes in the story until the whole thing falls apart and the reader is lost. One of my pet peeves is when the character hears the object falling from the sky and turns to see it explode or crash to the ground. This irks me for two reasons; first anything falling from space like a meteor will be traveling at supersonic speed. The persons wouldn’t hear it until long after it passes them.  Secondly, if they were close enough to hear the explosion or crash, depending on the size of the object (and in most sci-fi stories they are huge), the person would be killed by the shock wave that produce the sound of the explosion. Trust me; you wouldn’t want to be within walking distance of an event like that. The only way this scenario works is if the person sees the flash as the object enters the atmosphere, watches it streak miles over head and crash many miles from where they are, hearing only a low rumble of thunder.
Consider this passage from “The Rainmaker”, my short story about a crippled satellite:
                Suddenly there’s a blinding flash in the western sky. Thunder rocks the lonely outpost. Patrick hits the window across the room just in time to see a bluish comet streak out of view. Six men rush into the room. “I think we just located IAPTCS!”
                Ken Brooks is at the radarscope controls. “There’s nothing on the screen. I’m getting zero on the big dish. And I can’t pick it up on the remote units either.”
                “Impossible,” Patrick retorts, “that sat just passed over head no more than fifteen miles up. I’m sure of that!”

From this short exchange you see how sight and sound follow each other giving a realistic chain of events. The boom heard and felt is from the satellite traveling at supersonic speed, it the effect of the air being compressed and then rushing in to fill the vacuum left behind.
In other scenarios the boom is the object itself being blown to pieces as the friction heats it. Most objects that get pulled in by Earth’s gravity will burn up in the atmosphere, quickly, quietly, as shooting stars. It is the Earth natural defenses against intruders from outer space. These objects are small and are so high in the atmosphere the sound never reaches us at the surface, but they are quite beautiful to see. They go unnoticed because of the light we generate and radiate out into space from our city. Go out into the wilderness, away from the city lights and you will see them streaking across the night sky. When larger objects are pulled in they can be seen burning over the city lights, usually drawing our attention when they explode lower in the atmosphere and rain down as small fragments of a much large body. And if the body is too large to be destroyed they create a creator like Meteor Creator in Arizona. Or they cause a blast so powerful it flattens an entire forest like in 1909 Tunguska event. The possibility of there being any eyewitness account to those types of events is zero.
So in science fiction it is imperative to get the facts straight and in the correct order, sight before sound and the larger the event the less likely you will find an eyewitness to tell the story. It is okay to bend the rules, and in some cases necessary to break the laws altogether (you can’t get anywhere in the universe obeying the speed of light), but don’t ask me to throw out logical order of things and hear the thunder then see the lightning strike. 

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Allow Yourself Greatness

4/13/2019

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By James L Hill (aka J L Hill)
​The advice I hear most often giving to writers is you need to have thick skin, meaning prepare yourself for a life of being misunderstood, despair, and rejection. And although this is definitely the life of any writer, no matter how successful, it is not the best advice one could get. When asked about being a writer what one should do, I say, “Allow yourself greatness. And keep writing.”
This is a philosophy I developed a while ago while coaching kids in basketball and football. All of us have a fear of failure; it is powerful and can stop the strongest in their tracks.  I was told kids succeed because they do not have this fear. They learn it from us adults telling them how things will not work out for them. We plant the seeds of self-doubt and nourish it with “I told you so’s”. This is not entirely true, they do fear failure, it just not that crippling until we reinforce failure with ridicule.
However there is a greater fear that affects both children and adults alike. It is more powerful than the fear of failure, it can stop us from even getting started, and it is the fear of success. We will sabotage our own efforts because we don’t know what we will do if our plans actually work out. It is not learned, it is primal, and I learned this coaching a boy to be the quarterback of my six to eight-year-old football team.  He had a natural throwing motion that made it easy for him to throw good passes. But instead of throwing the ball on pass plays he pulls it down and runs. I asked him why he didn’t throw the pass to the wide open receiver his first response was, “what if I throw an interception.” After I convinced him there was no way the defense could have picked off the ball he said, “what if I threw it and we scored a touchdown.”
I realized that we may all want success, but there is that part of us that feels we are not deserving of it. Call it piety, humility, whatever, we feel success is good luck and not a product of hard work and perseverance.  We can deal with rejection and disappoint, but a little well-earned accolades is overwhelming. I’m telling you to learn to accept that you are great at what you do. If you are steadily practicing, improving, and bettering yourself than no matter what the critics may say You Are Great.
One of my heroes is Mohammed Ali (Cassius Clay, the boxer for those who may not know) because he was not only a great fighter but a better self-promoter.  He could out box a lot of opponents and outsmart the rest. And he wasn’t afraid to say so. He fought his way to the top multiple times both in the ring and out. It is no wonder he took on the title The Greatest.
Dream big, work hard, and allow yourself greatness and it will come to fruition. And as I told my eight year old quarterback, “If you don’t throw the ball, it won’t get intercepted, it won’t go for a touchdown, nothing will happen. And nothing is the worst thing that can happen.”
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    James L Hill (J L Hill) author and publisher of Adult Fiction - not for those under 18 or the faint of heart, Fantasy, and Science Fiction.
    Athina Paris author of romance and contemporary fiction, editor of all form of literature.

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